"Para hacer cosas bonitas hay que perder el miedo a hacerlas feas" (Eduardo Souto de Moura)
miércoles, 1 de diciembre de 2010
martes, 30 de noviembre de 2010
maqueta del interior de mi propuesta
Se trata de una caja oscura en la que represento las pasarelas de mi propuesta mediante cuerdas.
domingo, 28 de noviembre de 2010
Imagen del elemento esencial de un proyector de cine digital.
Tres espejos compuestos de un campo de mas de un millon de "microespejos" reflejan los colores RGB.
Cada microespejo refleja uno de los colores sobre un pixel en la pantalla y puede variar su angulo de inclinacion entre +/- 15º (la oscilacion es superior a 1000 posiciones/s)
La imagen esta obtenida con microscopio electronico y compara una zona del campo de microespejos con la pata de una avispa
jueves, 25 de noviembre de 2010
Thomas Hillier y Julie Mehretu
Dos ejemplos capaces de superponer gran cantidad de información empleando técnicas mixtas. Meheretu es artista y Thomas Hillier estudiante
Thomas’s architectural interests go beyond the built environment to include art, design, story telling and installations with a particular interest in how literature can be directly translated into urban and architectural space. He attempts to look at architecture from a different perspective, using unorthodox narratives and programmes to create original and often surreal observations.
The Emperor’s castle originates from a mythical and ancient tale hidden within a woodblock landscape scene created by Japanese Ukiyo-e printmaker, Ando Hiroshige. This tale charts the story of two star-crossed lovers, the weaving Princess and the Cowherd who have been separated by the Princess’s father, the Emperor.
Julie Mehretu makes large-scale, gestural paintings that are built up through layers of acrylic paint on canvas overlaid with mark-making using pencil, pen, ink and thick streams of paint. Mehretu’s work conveys a layering and compression of time, space and place and a collapse of art historical references, from the dynamism of the Italian Futurists and the geometric abstraction of Malevich to the enveloping scale of Abstract Expressionist colour field painting. In her highly worked paintings, Mehretu creates new narratives using abstracted images of cities, histories, wars and geographies with a frenetic mark making that for the artist becomes a way of signifying social agency as well suggesting an unravelling of a personal biography.
Thomas’s architectural interests go beyond the built environment to include art, design, story telling and installations with a particular interest in how literature can be directly translated into urban and architectural space. He attempts to look at architecture from a different perspective, using unorthodox narratives and programmes to create original and often surreal observations.
The Emperor’s castle originates from a mythical and ancient tale hidden within a woodblock landscape scene created by Japanese Ukiyo-e printmaker, Ando Hiroshige. This tale charts the story of two star-crossed lovers, the weaving Princess and the Cowherd who have been separated by the Princess’s father, the Emperor.
Julie Mehretu makes large-scale, gestural paintings that are built up through layers of acrylic paint on canvas overlaid with mark-making using pencil, pen, ink and thick streams of paint. Mehretu’s work conveys a layering and compression of time, space and place and a collapse of art historical references, from the dynamism of the Italian Futurists and the geometric abstraction of Malevich to the enveloping scale of Abstract Expressionist colour field painting. In her highly worked paintings, Mehretu creates new narratives using abstracted images of cities, histories, wars and geographies with a frenetic mark making that for the artist becomes a way of signifying social agency as well suggesting an unravelling of a personal biography.
miércoles, 24 de noviembre de 2010
PERSPECTIVA.MUNDO.MURAKAMI
Diller + Scofidio
La manera de contar los proyectos y las ideas de estos arquitectos americanos siempre sorprende. Reinventan la manera de dibujar en todas sus propuestas. Atención al manejo de la información y a la jerarquía.
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| Slow House, 1991. Residencia de vacaciones, Long Island, N.Y. |
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| Brasserie, 2000. Restaurante en el Seagram Building, NY. |
jueves, 18 de noviembre de 2010
Foam Home, NOX , 1997
Foam Home es un proyecto de investigación sobre la "reconceptualización de los áticos" realizado por el estudio NOX (Lars Spuyborek).
Os dejo una imagen del proyecto que puede serviros de referencia a muchos de vosotros para el ejercicio de Murakami.
A parte de este sugerente dibujo, transcribo un texto de Lars Spubroek sobre el uso de curvas:
" I always tell students that if they want to work with curves they must be as rigorous as Schinkel, Mies and Alberti put together. Curvature needs a very systematic approach. When a straight line has only two points (at both ends of the line) and a curve has multiple points (spaced out over the length of the line), it directly follows that mastering curvature means mastering a lot more information than before".
The Future is Now, Expo.02, Suiza. NOX, 1998
Project for an exhibition on the "future" related tio the Swiss pharmaceutical industry. In collaboration with Harm Lux (curator) and Mike Tyler (artist).
Os dejo una imagen del proyecto que puede serviros de referencia a muchos de vosotros para el ejercicio de Murakami.
A parte de este sugerente dibujo, transcribo un texto de Lars Spubroek sobre el uso de curvas:
" I always tell students that if they want to work with curves they must be as rigorous as Schinkel, Mies and Alberti put together. Curvature needs a very systematic approach. When a straight line has only two points (at both ends of the line) and a curve has multiple points (spaced out over the length of the line), it directly follows that mastering curvature means mastering a lot more information than before".
The Future is Now, Expo.02, Suiza. NOX, 1998
Project for an exhibition on the "future" related tio the Swiss pharmaceutical industry. In collaboration with Harm Lux (curator) and Mike Tyler (artist).miércoles, 17 de noviembre de 2010
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